Posts Tagged by Writing

I can spot a lie from a mile away

I found this funny little post, 5 Things You Should Know Before Dating a Journalist, to be accurate and entertaining. And No. 3 is mostly true.

On the blue

Wednesday I wrote a post for The Press about the 40th anniversary of the KKK bombing our local Progressive radio station, a radio station that is situation in a house in my neighborhood, just two blocks ways from me.

Wednesday night I was going through my Google Reader and I came across this post on Metafilter.

A story I have written was posted to the front page of Metafilter. A STORY I HAVE WRITTEN WAS POSTED TO THE FRONT PAGE OF METAFILTER!

I’ve been a Mefite for five years and it is consistently one of my favorite websites, for its interesting, sometimes silly, but always intelligent links and discussions. Metafilter’s motto is “Best of the Web” and I’m honored that something I’ve written falls under that category.

On editorial license

As I mentioned yesterday, I have had some shitty editors in my life. I have also had some great ones. I think I’ve cried in front of just about every one of them.

My current editors are pretty awesome — so awesome that I have sent a letter to their bosses and their bosses’ bosses highlighting the ways in which they’ve made my life, and my work, more enjoyable and easier. Which is why this memo, from Village Voice editor Tony Ortega to writer Foster Kamer, makes me giddy.

We put into words the things people actually think and say when they are being honest with each other and not talking in that pretend-voice that the dailies and the television people put on. Right? I mean, that is at the core of this foul-mouthed, truth-telling, non-pandering institution. I mean, that’s the only reason I want to work here, anyway.

It is so heartening to have an editor stand up for the bottom line (the realbottom line, journalistic integrity, not the financial one).

Sweet, sweet Connie was doin’ her act

OMFG I hung out with Pamela Des Barres last night. Here she is with honky-tonker Mike Stinson.

In the early years of college a friend turned me on to the now-defunct website Groupie Central (accessible by the magic of the Internet Archive). That started an obsession with the phenomenon of groupies, fueled by my already long-standing obsession with music journalism and making zines/trying to interview all the bands I loved who played Oklahoma.

The library had a copy of Des Barres’ book, which I quickly devoured, and from then on I was committed to journaling the exploits of my life (which, by the way, have not included losing my virginity to Jimi Hendrix’s bassist).

Meeting her was a pleasure and if I wasn’t going to New Braunfels for this, the 5th anniversary of my marriage, I would be studiously taking notes in her memoir workshop here this weekend.

I nerded out to her by saying “I read your memoir when I was a kid,” and she replied, “Yeah? Well I have three other books too.” Touché. Then again, when I asked her how she knew Mike she gushed “He’s my boyfriend!” like a 15-year-old girl. So I think we’re even.

You can read my interview with her in the Houston Press.

Pawdrophenia

My first slideshow ever went live on the Houston Press website last night, pictures from Jen’s third annual Pawdrophenia scooter ride benefiting SMART Animal Rescue. I fell in love love love with a pug with a bum leg but CLH would never let me take home another dog. He was so sweet. His name was Obie.

More pictures of the ride on Flickr.

Is it weird that I think Junichiro Koizumi is atrractive?

I am in the depths of finals, desperately trying to finish up two papers before 5 p.m. today. Only then can I emerge from my dungeon, covered in grime and pale from lack of sunlight.

One paper is about sexual tourism and the other is about something I haven’t quite figured out yet, which sucks because it’s totally due in six hours. In the meantime, I wish I was working on something like this: the feminist implications of Dirty Dancing

It is easier to ask for forgiveness than permission

The other day Matt K and I were talking about regret. I never had any for a long time. Decades. And then I had a ton. There is still wishful thinking and a sense of time wasted. I did a lot with my time, but there was so much I never even attempted because I thought for sure I would be bad at it. Or good at it. This is why I never learned to ollie very well and why I didn’t pursue writing as a legit career until I was about 28. At 28, I had been freelancing steadily for 12 years and publishing a zine, and I still was under the mistaken belief that I did not have what it took to be a writer. Matt convinced me I should try, and I did, and I realized about three weeks into “trying” that could have been writing full time for years, and my cowardice — fear of my own ambition got in the way. And that is my regret. That I lived without a sense of permission for so long.

Words I really needed to read just now, in a time of self-doubt, from a writer and a woman I admire.

My Blakean Year

Apparently I went to a different Patti Smith show last night than every one else in this town.

Here’s Culturemap’s review, and 29-95′s recap.

I didn’t give her a negative review, per se. I just said that she seemed a little lost when it came time for her to speak off the cuff. However, she was like Jekell and Hyde (in the best possible way) when she’d switch from ad libbing on stage to performing her music or reading her written work. Her singing voice sounds as good, if not better, than it did 30 years ago.

I still think she’s amazing — but I found it tacky and awkward that she flubbed not once but twice the name of the organization who brought her to Houston, especially since she’s known the founding director since 2003. I was also unmoved by her “spontaneous” group-sing of “Because The Night” since six months ago I posted a video of her doing the exact same thing in London. On one hand, she has been traveling extensively in support of her book, but on the other hand, she’s also a 30-year music veteran who has gone on dozens of tours and played hundreds of concerts, so that excuse doesn’t entirely fly with me. BUT WHATEVER. Apparently it’s a sin to even remotely criticize her, since I’m the only blogger in Houston who did and I’ve gotten railed on my überfans for doing so.

So, in penance to all the fans who couldn’t be there last night, here is my paraphrased version of the heartbreaking story she told about Jeff Buckley:

Smith said Buckley was a die-hard perfectionist, never completely satisfied with his work, which he felt was never complete. Buckley sang on Smith’s album “Gone Again.” They recorded together at Electric Ladyland studios, and when it was Buckley’s time to sing his voice just lifted the entire room. Patti and the others in her band were so moved by his talent and Patti spoke about how she especially was inspired by his performance.

Later, Patti found him in the green room, laying on the couch weeping. She asked him what was wrong and he replied to her, “I just wish I could have done it better.”

She’s a hurricane in all kind of weather

I am sick of winter and sick of school, and although both are almost over all I can do is dream of our annual pilgrimage to Florida where I plan to do nothing more than lay under a beach umbrella every day with a book NOT required for my degree.

Going to iFest this weekend. I’ve actually never been (I know, shameful) so I’m going now and I’m gonna write about it for work. The theme this year is the Caribbean, so Chris Gray and I wrote our weekly HSSS on music inspired by the archipelago. Calypso, ska, exotica.

In the story I obsess about Tacita Dean, the very best Beach Boys song and how I only came to learn in my 20s that Buster Poindexter was David Johansen.

You already know how I feel about Julie Andrews, but Petula Clark is awesome. Read about her controversial duet with Belafonte here.

I’m so tired

I remember reading a few years ago on Metafilter that tons of people who had gone to SXSWi came home sick. They jokingly called it SxSARS. After going to SXSW for the first time I understand. Only this week have I felt back to my normal self and not so affected by my lack-of-sleep hangover.

You can read all of The Press’ coverage on the Village Voice’s collective SXSW blog. Here’s my Thursday recap, Friday recap, Saturday recap and my favorite showcase.

Favorite WTF moment: CLH and I went plebian-style. We had no badges and no wristbands* so we had to wait in line for 45 minutes at a one-in/one-out show where the headliners were Ray Davies and Roky Erickson with Okkervil River, all the while big shots with credentials got to walk right on in. A chatty Australian guy was in line in front of us and was being super entertaining and friendly so when I noticed he had a wristband I pointed out to him that he should just go on in. Half an hour later he was getting tossed out by security, along with another dude who was kicking the air like a girl, presumably for being a drunk doofus. CLH and I then tried sheepishly to disassociate ourselves from him, as if we’d be judged for having a 10-minute conversation with a stranger in line.

That wasn’t the WTF moment though. Finally we got in and the place was packed. Davies had just started playing so we tried to push our way through the crowd to the middle. Now, we aren’t assholes. We weren’t trying to rush the stage or anything, just get a decent viewing spot. We ended up settling in the middle, about halfway between the front and the back of the venue. When we stopped, this middle-aged guy next to us with a badge around his neck was using his hands to kind of shoo us away. I had Hearos in and couldn’t hear what the guy was saying so I asked “WHAT?” I still couldn’t hear him so I took the Hearos out. “What? What? WHAT?” He looked agitated, but I though he was just trying to yell over the music until I realized what he was saying:

“Who do you think you are?! You can’t just walk right in here and stand here. Go find your own place to stand. Fuck off!”

I see this is the first concert you’ve ever attended, sir. Umm… yes I can. That’s what people DO at shows. It’s general admission, dude. Just ‘cuz you dropped $700 on some laminated paper doesn’t mean you don’t have to commune with the oi polloi here in the pit.

Then he kind of like moved all around to give himself a 1-foot protective barrier of space, which was the funniest part of all. And then, about 30 minutes into the 2-hour show, he and his Affliction-clad female companion left, and I took his spot.

*But we did have kick-ass VIP access to the VVM party, and thus, free tacos and open bar.

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