Wes Anderson on the Menil Collection
Wes Anderson hatred abounds, buy y’all can all suck it.
Anderson: I always feel like there are specific things about Houston. There’s one museum in particular in Houston. So many of the things that I’m interested in now I can sort of trace back to that museum, which introduced me to them.
Cocker: What museum is that?
Anderson: It’s called The Menil Collection. There was this woman, Dominique de Menil—I think she was French, but she had one of the great Texas oil fortunes—and her art collection was vast. She collected lots of surrealist works—Salvador Dalí and René Magritte and Max Ernst and those Joseph Cornell boxes. She also collected abstract expressionist and pop art. So there were those John Chamberlain sculptures made from smashed-up cars and Dan Flavin fluorescent tubes and pieces by Donald Judd and Cy Twombly. There’s a building they call the Rothko Chapel that’s just these [Mark] Rothko pieces. I’d never heard of any of this before I walked through those doors. But there’s no place where I feel quite as much at home as I do in Houston. Even if Houston is not the place that I find the most exciting necessarily, it’s very peaceful for me to go there, I think, because I’m from there.*
If you’ve ever been to The Menil (my favorite museum in Houston (my favorite museum in the world is The British Museum)) and then watched The Royal Tennenbaums you can see the influence everywhere, from Eli Cash’s obsession with Indian masks to the (fictional) 375th St YMCA, which I’m convinced is modeled after the Downtown Y in Houston.
* From an interview with my boyfriend, Jarvis Cocker, in Interview Magazine, via Culturemap.
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